Van Jones presented a graph that accurately represents the interaction between the four aspects of society and its different members. Society is driven by the powerful elites, the dependent masses, government, cultural producers and artists. Van Jones Graph. On the left you have action, and on the right, ideas; elites are at the top, and the masses are below. The inside act has the power to influence policy creators. On the outside, we at grassroots set our expectations and needs, so that the elected candidates pass laws that give us power.
Masses reflect what society really wants heart. Academic institutions and think tanks, which are not always involved in the immediate policy wins, are significant in creating a culture of thought.
Art is uniquely positioned to move people—inspiring us, inciting new questions and provoking curiosity, excitement, and outrage. Artists can strengthen the will and push people to act.
They do not think like policymakers or academics people. This is why artists are able to move people to action, thus creates a significant cultural and political contributions. Art is very important in the society because it is an essential ingredient to empowering the hearts of people. Similarly, when photographers publish the photos of war-torn areas, it catches the attention of masses whose hearts reach out for those who need help. When an artist creates great music and movies, it entertains people around the world.
This is art, making a difference in society. A very modern example of art in action is street art. When the famous Italian street artist Blu created the mural in Kreuzberg , it sparked a lot of strong, different reactions that were rooted deeply into the differences between East and West Berlin. Who would have thought that a wall painting depicting two masked figures trying to unmask each other could illicit such strong reactions?
Now the issue behind this mural is a totally different matter to discuss. But whether or not the effect of the mural was good, it cannot be denied how a well-crafted piece of art can have a great impact on society.
Likewise, when you see paper swans swarming a beautiful wedding ceremony, you know that this is origami, an art that came from Japan. Art has the power to take cultural practices from where they are from and then transport and integrate them into different parts of the world without losing their identity. There, these art forms can be used to entertain, create awareness, and even inspire foreigners to accept these cultures, no matter how strange or alien they may seem. This insensible melting is far more efficacious than the change effected by reasoning, because it enters directly into attitude.
Art has played an important role in helping fight against intolerance of different cultures, racism, and other forms of unjust societal segregation. Art helps make that happen by making sure that identities and their cultures are given due recognition around the world. Art is powerful because it can potentially influence our culture, politics, and even the economy.
When we see a powerful work of art, you feel it touching deep within your core, giving us the power to make real-life changes. Strong emotions, weak emotions, important emotions or irrelevant emotions, good emotions or bad emotions — if they contaminate the reader, the spectator, or the listener — it attains the function of art. Many times in history have we heard of people being criticized, threatened, censored, and even killed because of their artwork.
Those responsible for these reactions, may it be a belligerent government or a dissident group, take these measures against artists knowing how much their works can affect the politics in a given area. Art can take the form of film, music, theatre, and pop culture , all of which aim to entertain and make people happy.
But when films, songs, or plays are made for a specific audience or purpose, the art begins to diversify. Films, for example, can be made to spread awareness or cultural appreciation. Songs can also be composed in a way that they bring out certain emotions, give inspiration, or boost the morale of people. Portia wounding her thigh, by Elisabetta Sirani.
One of the revolutionary works in the history that ultimately opened the doors of arts to women in general, ultimately, showed the power of women in art. There are also works of art that illicit strong intellectual discourse — the kind that can question norms and change the behavior of society. Sometimes, still, art is simply there to reach out to a person who shares the same thoughts, feelings, and experiences as the artist.
The truth is that art is more than just a practice — it is a way of life. Art is more than just a skill — it is a passion.
Art is more than just an image — each one tells a story. The fact that art is quite connected to human experience makes it unsurprising that we have always made it part of our ways of living. This is why ancient and present-day indigenous groups from all over the world have a knack for mixing art and their traditional artifacts or rituals without them knowing, which in fact one of the fundamental reasons of why art is important. Art is a powerful form of therapy. Some say art is boring. But the fact remains that art has the power to take cultural practices from where they are from and then transport and integrate them into different parts of the world without losing their identity.
Thus, it is imminent to reflect upon — Why art in important — which in fact provides you the answer to — What is art? This is why we at The Artist believe that art is a form of creative human expression, a way of enriching the human experience.
Being an artist involves wearing all sorts of masks, just like any other job, but the difference is we have the lingering responsibility to unearth the truth of things. Sometimes we will seem vulnerable, sometimes we will make mistakes. But the main thing is not to give up. This resonates with people on a personal and global level, because it is not only empowering but starts from inside ourselves. Before deciding to follow my own artistic path, I co-founded a community arts cafe.
This was an amazing experience in itself, but as it wasn't my true vocation I felt there was a limit to how much I could give. This is because I started from the outside in, trying to fix things around me, before realizing I needed to tap into something central to myself. Rather than the word "role", I prefer "commitment". Over many years as an arts educator, I have helped people and communities find their voices and express their concerns through individual and collaborative art projects.
This used to be called public art. Now, it is often known as social practice. My own work is rooted in feminism — where expressing my emotions, goals, and ideas, in the realm of the personal, social and political, is an exercise in communicating my individual experience. Working with artists and in art spaces in other parts of the world, beautiful exchanges of ideas often happen — which creates artistic growth, empathy, and new understandings.
All of these acts can illuminate what lies hidden or repressed in the margins or shadows. New ideas can be brought to life. These ideas can lead to small or large changes in attitudes and even society. Holland is a crowded space. Our history is filled with stories about how we made land out of the water and tamed the deadly seas. Honoured by writers, poets, and painters. It was invented here in the 17th century, with low horizons and great cloudy skies.
Millions of landscapes were painted here by the great masters as Rembrandt, Ruysdael, Hobbema, Weissenbruch, Mauve, van Gogh and Mondriaan.
All were inspired by our flat landscape and big horizons. It is this centuries-long tradition in which I stand. But, our landscape is changing. Our ever-growing population is altering the look of the land. Cities grow and our landscape history is sinking beneath concrete, buildings, and tarmac.
So, as an artist, I not only want the world to see the beauty of the Dutch landscape, I also want to grow awareness about the lasting visible traces in the landscape. From our year-old megalithic monuments to our recent day modern windmills. As a photographic detective, I search for stories about our landscape. We have to be careful with this landscape which is difficult with so little space and more than 17 million inhabitants.
That's why I decided to donate 10 percent of all my income to the organizations that protect the Dutch landscape. That's the least I can do as an artist — t o protect the horizon. As we live in a global village, we are somehow all connected via some form of social media. Authors, who devote years to a single book and are given a few short weeks to promote it, cannot tour. Performing artists — creatives who take to the stage for a living — saw their incomes disappear overnight. Musicians, already struggling to make ends meet in a world where album sales no longer exist, are almost wholly dependent on touring to make a living.
The outlook for specifically Jewish artists is no better. The National Foundation for Jewish Culture, one of the last supporting organizations of its kind, closed its doors in Nor do Jewish artists have much in the way of regional support, like the Massachusetts Cultural Council aside from a smattering of artist-in-residence programs and presenting organizations largely JCCs that are now in hibernation.
Many creatives can receive digital payment in the form of memberships, tips, or direct purchases through Patreon, BandCamp, and Medium, among others. And if you have the means, consider setting up a donor-advised fund at your local Jewish community foundation and let them know some or all of it will be dedicated to Jewish creativity.
The lack of regional support for Jewish artists is a critical issue. Boston is a rare exception to the rule. While the effort is only just getting up to speed, its director Sophie Krentzman is actively looking for ways to provide immediate relief to the Jewish creative community in the Greater Boston area.
Your local Federation is focused, as it should be, on protecting essential services for the most needy in the community. Quarantine novel: Jake Goldwasser is retelling the Passover story in comic style.
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